Man of Constant Sorrow

The second “Front Matter” single continued to utilise the abstract line drawings done for me as a birthday present from my friend Angel. I duplicated the drawing and coloured them individually to create this old-school 3D effect. In the background, I asked my dad to send over some digitised schematics he had from his work with the Liverpool and Manchester Railway Trust. The exact origin I have been unable to work my way back to, my best guess is that it was from the planning of a chimney designed to let out fumes from an underground railway tunnel.